Contents:
Notes On The Troubleshooting And Repair Of Television Sets
Copyright (c) 1994, 1995, 1996, 1997, 1998
All Rights Reserved
Reproduction of this document in whole or in part is permitted if both of the following conditions are satisfied:
Television in substantially its present form has been with us for nearly 50 years. It is a tribute to the National Television Standards Committee (NTSC) that the color television standards agreed upon in the early 1950s have performed remarkably well making quite efficient use of valuable radio spectrum space and the psychovisual characteristics of the human eye-brain system. However, HDTV (High Definition TV) will supplant and ultimately replace the current standards. We will all come to expect its superior resolution, freedom from noise and ghosting, and pure CD sound. Yet, the perceived quality of TV broadcasts and cable will never likely be the major issue with most consumers. Content will continue to be the biggest problem. It is likely that in roughly 15 years, HDTV - digitally processed and transmitted as 1s and 0s - will completely replace the current system. Acceptance in the marketplace is by no means assured but with the merging of TV and computers - with the Internet as a driving force - it would seem that the days of the stand-alone analog TV set are numbered.
The basic color television receiver must perform the same functions today as 40 years ago. (Since B/W is a subset of the color standard, most references in this document will be for color except as noted). A studio video monitor includes all of the functions of a television receiver except the tuner and IF (which rarely fail except for bad connections or perhaps lightning strikes to the antenna or cable connection). Therefore most of the repair information in this document is applicable to both TVs and studio monitors. Modern computer monitors share many similarities with TVs but the multisync and high scan rate deflection circuitry and more sophisticated power supplies complicates their servicing. As of this writing, all but the smallest TVs are based on the Cathode Ray Tube (CRT) as the display device. Tiny pocket sets, camcorder viewfinders, and the like have started using LCD (Liquid Crystal Display) panels but these are still inferior to the CRT for real time video. There has always been talk of 'the picture on the wall' display. While we are closer than ever to this possibility, I believe that mass production of an affordable wall mural TV screen is still decades away. The reason is simple economics - it is really hard to beat the simplicity of the shadow mask CRT. For example, a decent quality active matrix color LCD panel may add $1000 to the cost of a notebook computer compared to $200 for a VGA monitor. More of these panels go in the dumpster than make it to product do to manufacturing imperfections. Projection - large screen - TVs may, on the other hand, be able to take advantage of a novel development in integrated micromachining - the Texas Instruments Inc. Digital Micromirror Device (DMD). This is basically an integrated circuit with a tiltable micromirror for each pixel fabricated on top of a static memory - RAM - cell. This technology would permit nearly any size projection display to be produced and would therefore be applicable to HDTV. Since it is a reflective device, the light source can be as bright as needed. However, this is still not a commercial product but stay tuned.
Unlike VCRs or CD players where any disasters are likely to only affect your pocketbook, TVs can be dangerous. Read, understand, and follow the set of safety guidelines provided later in this section whenever working on TVs, monitors, or other similar high voltage equipment. If you do go inside, beware: line voltage (on large caps) and high voltage (on CRT) for long after the plug is pulled. There is the added danger of CRT implosion for carelessly dropped tools and often sharp sheetmetal shields which can injure if you should have a reflex reaction upon touching something you should not touch. In inside of a TV or monitor is no place for the careless or naive. Having said that, a basic knowledge of how a TV set works and what can go wrong can be of great value even if you do not attempt the repair yourself. It will enable you to intelligently deal with the service technician. You will be more likely to be able to recognize if you are being taken for a ride by a dishonest or just plain incompetent repair center. For example, a faulty picture tube CANNOT be the cause of a color television only displaying shows in black-and-white. The majority of consumers probably do not know even this simple fact. Such a problem is usually due to a bad capacitor or other 10 cent part. This document will provide you with the knowledge to deal with a large percentage of the problems you are likely to encounter with your TVs. It will enable you to diagnose problems and in many cases, correct them as well. With minor exceptions, specific manufacturers and models will not be covered as there are so many variations that such a treatment would require a huge and very detailed text. Rather, the most common problems will be addressed and enough basic principles of operation will be provided to enable you to narrow the problem down and likely determine a course of action for repair. In many cases, you will be able to do what is required for a fraction of the cost that would be charged by a repair center. Should you still not be able to find a solution, you will have learned a great deal and be able to ask appropriate questions and supply relevant information if you decide to post to sci.electronics.repair. It will also be easier to do further research using a repair text such as the ones listed at the end of this document. In any case, you will have the satisfaction of knowing you did as much as you could before taking it in for professional repair. With your new-found knowledge, you will have the upper hand and will not easily be snowed by a dishonest or incompetent technician.
If you need to send or take the TV to a service center, the repair could easily exceed half the cost of a new TV. Service centers may charge up to $50 or more for providing an initial estimate of repair costs but this will usually be credited toward the total cost of the repair (of course, they may just jack this up to compensate for their bench time). TV prices have been dropping almost as fast as PC prices. Therefore, paying such prices for repair just may not make sense. Except for picture tube problems, most TV faults can be corrected without expensive parts, however. Keeping a 5 year old TV alive may be well worthwhile as basic TV performance and important features have not changed in a long time. If you can do the repairs yourself, the equation changes dramatically as your parts costs will be 1/2 to 1/4 of what a professional will charge and of course your time is free. The educational aspects may also be appealing. You will learn a lot in the process. Thus, it may make sense to repair that old clunker for your game room or beach house. (I would suggest the kid's room but most TV watching just rots the brain anyhow so a broken TV may be more worthwhile educationally than one that works.)
A TV set includes the following functional blocks:
1. Low voltage power supply (some may also be part of (2)). Most of the lower
voltages used in the TV may be derived from the horizontal deflection
circuits. Sometimes, there is a separate switching power supply but
this would be the exception. Rectifier/filter capacitor/regulator from AC
line provides the B+ to the switching power supply or horizontal
deflection system. Degauss operates off of the line whenever power is
turned on (after having been off for a few minutes) to demagnetize the CRT.
2. Horizontal deflection. These circuits provide the waveforms needed to
sweep the electron beam in the CRT across and back some 15,734 times
per second (for NTSC). The horizontal sync pulse from the sync separator
locks the horizontal deflection to the video signal.
3. Vertical deflection. These circuits provide the waveforms needed to
sweep the electron beam in the CRT from top to bottom and back 60 times
per second (for NTSC). The vertical sync pulse from the sync separator
locks the vertical deflection to the video signal.
4. CRT high voltage (also part of (2)). A modern color CRT requires
up to 30 KV for a crisp bright picture. Rather than having a totally
separate power supply, nearly every TV on the planet derives the HV
(as well as many other voltages) from the horizontal deflection using
a special transformer called a 'flyback' or 'Line OutPut Transformer (LOPT)
for those of you on the other side of the lake.
5. Tuner, IF, AGC, video and audio demodulators. Input is the antenna or
cable signal and output are baseband video and audio signals. There is
usually someplace inside the TV where line level video and audio are
present but it may not be accessible from the outside of the cabinet
unless you paid for the more expensive model with the A/V option.
Very often, the tuner is a shielded metal box positioned on the bottom
right (as viewed from the front) separate from the main circuit board.
Sometimes it is on the main circuit board. The IF section may be in
either place.
On older or cheap TVs with a knob tuner, this is usually mounted to the
front panel by itself. There are usually separate boxes for the VHF and
UHF tuners.
6. Chroma demodulator. Input is the baseband video signal. Outputs are
the individual signals for the red, green, and blue video to the CRT.
7. Video drivers (RGB). These are almost always located on a little
circuit board plugged directly onto the neck of the CRT. They boost
the output of the chroma demodulator to the hundred volts or so needed
to drive the cathodes of the CRT.
8. Sync separator. Input is baseband video. Output is horizontal and
vertical sync pulses to control the deflection circuits.
9. Audio amplifier/output. The line level audio is amplified to drive
a set of speakers. If this is a stereo TV, then these circuits must
also perform the stereo demultiplexing.
10. System control. Most modern TVs actually use a microcontroller - a fixed
program microcomputer to perform all user interface and control functions
from the front panel and remote control. These are becoming increasingly
sophisticated. However, they do not fail often. Older TVs use a bunch
of knobs and switches and these are prone to wear and dirt.
Most problems occur in the horizontal deflection and power supply sections.
These run at relatively high power levels and some components run hot.
The high voltage section is prone to breakdown and arcing as a result
of hairline cracks, humidity, dirt, etc.
The tuner components are usually quite reliable unless the antenna experiences
a lightning strike. However, it seems that even after 20+ years of
solid state TVs, manufacturers still cannot reliably solder the tuner
connectors and shields so that bad solder connections in these areas are
common even in new sets.
In order to achieve the necessary brightness with a large display format, three separate monochrome CRTs are used with optics to combine the three images properly at the screen. This creates an entire set of additional problems in design. (From: Jeroen H. Stessen (Jeroen.Stessen@ehv.ce.philips.com)). The average projection TV has about twice as many parts as its direct-view counterpart. Some of the extra parts are essential for projection because CRT projection tubes require dynamic convergence. The other extra parts have to do with the fact that a more expensive TV also should have some extra features, like Dolby ProLogic sound, a satellite tuner and such. Generally, the electronics are based on a standard chassis that is also used for direct-view CRT television. Even the deflection circuits require minor adaptations at most. The high-voltage circuit is different because the EHT, focus and G2 voltages must be distributed over 3 CRTs. So this requires a special high-voltage part, which also includes an EHT capacitor and bleeder. There will be 3 CRT panels with video amplifiers. Because of the extremely high brightness, projection tubes will burn the phosphor screen immediately in fault conditions so a protection circuit is essential. And last but certainly not least, there is the dynamic convergence panel. The heart is a waveform generator IC, often of a Japanese brand but nowadays there's also a digital variant by Philips. The old-fashioned way requires many many potentiometers to program the waveforms. Then there's 5 or 6 convergence amplifiers and a corresponding extra power supply. And usually this is where the single deflection circuits are distributed to the 3 CRTs. At the same time the deflection currents are sensed for the protection circuits. Designing a PTV from a DVTV requires several man-years of work. In the factory, a special corner is devoted to the assembly. There you'll find specially educated people and the speed of the assembly line is a lot lower than usual. It requires many more adjustments, e.g. 3 optical and 3 electrical focus adjustments and then convergence.
The books listed in the section: "Suggested references" include additional information on the theory and implementation of the technology of television standards and TV receivers.
A number of organizations have compiled databases covering thousands of common problems with VCRs, TVs, computer monitors, and other electronics equipment. Most charge for their information but a few, accessible via the Internet, are either free or have a very minimal monthly or per-case fee. In other cases, a limited but still useful subset of the for-fee database is freely available. A tech-tips database is a collection of problems and solutions accumulated by the organization providing the information or other sources based on actual repair experiences and case histories. Since the identical failures often occur at some point in a large percentage of a given model or product line, checking out a tech-tips database may quickly identify your problem and solution. In that case, you can greatly simplify your troubleshooting or at least confirm a diagnosis before ordering parts. My only reservation with respect to tech-tips databases in general - this has nothing to do with any one in particular - is that symptoms can sometimes be deceiving and a solution that works in one instance may not apply to your specific problem. Therefore, an understanding of the hows and whys of the equipment along with some good old fashioned testing is highly desirable to minimize the risk of replacing parts that turn out not to be bad. The other disadvantage - at least from one point of view - is that you do not learn much by just following a procedure developed by others. There is no explanation of how the original diagnosis was determined or what may have caused the failure in the first place. Nor is there likely to be any list of other components that may have been affected by overstress and may fail in the future. Replacing Q701 and C725 may get your equipment going again but this will not help you to repair a different model in the future. Having said that, here are three tech-tips sites for computer monitors, TVs, and VCRs: * http://www.anatekcorp.com/techforum.htm (currently free). * http://www.repairworld.com/ ($8/month). * http://elmswood.guernsey.net/ (Free, very limited). * http://ramiga.rnet.cgl.com/electronics/info.html (free large text files). This one has quite a bit of info for just TVs (at present): * http://home.inreach.com/ba501/Tech_Tip_Page.htm These types of sites seem to come and go so it is worth checking them out from time-to-time even if you don't have a pressing need. If possible, download and archive any useful information for use on a rainy day in the future.
Note: Most of the information on TV and monitor CRT construction, operation, interference and other problems. has been moved to the document: "TV and Monitor CRT (Picture Tube) Information". The following is just a brief introduction with instructions on degaussing.
All color CRTs utilize a shadow mask or aperture grill a fraction of an inch (1/2" typical) behind the phosphor screen to direct the electron beams for the red, green, and blue video signals to the proper phosphor dots. Since the electron beams for the R, G, and B phosphors originate from slightly different positions (individual electron guns for each) and thus arrive at slightly different angles, only the proper phosphors are excited when the purity is properly adjusted and the necessary magnetic field free region is maintained inside the CRT. Note that purity determines that the correct video signal excites the proper color while convergence determines the geometric alignment of the 3 colors. Both are affected by magnetic fields. Bad purity results in mottled or incorrect colors. Bad convergence results in color fringing at edges of characters or graphics. The shadow mask consists of a thin steel or InVar (a ferrous alloy) with a fine array of holes - one for each trio of phosphor dots - positioned about 1/2 inch behind the surface of the phosphor screen. With most CRTs, the phosphors are arranged in triangular formations called triads with each of the color dots at the apex of the triangle. With many TVs and some monitors, they are arranged as vertical slots with the phosphors for the 3 colors next to one another. An aperture grille, used exclusively in Sony Trinitrons (and now their clones as well), replaces the shadow mask with an array of finely tensioned vertical wires. Along with other characteristics of the aperture grille approach, this permits a somewhat higher possible brightness to be achieved and is more immune to other problems like line induced moire and purity changes due to local heating causing distortion of the shadow mask. However, there are some disadvantages of the aperture grille design: * weight - a heavy support structure must be provided for the tensioned wires (like a piano frame). * price (proportional to weight). * always a cylindrical screen (this may be considered an advantage depending on your preference. * visible stabilizing wires which may be objectionable or unacceptable for certain applications. Apparently, there is no known way around the need to keep the fine wires from vibrating or changing position due to mechanical shock in high resolution tubes and thus all Trinitron monitors require 1, 2, or 3 stabilizing wires (depending on tube size) across the screen which can be see as very fine lines on bright images. Some people find these wires to be objectionable and for some critical applications, they may be unacceptable (e.g., medical diagnosis).
Degaussing may be required if there are color purity problems with the display. On rare occasions, there may be geometric distortion caused by magnetic fields as well without color problems. The CRT can get magnetized: * if the TV or monitor is moved or even just rotated. * if there has been a lightning strike nearby. A friend of mine had a lightning strike near his house which produced all of the effects of the EMP from a nuclear bomb. * If a permanent magnet was brought near the screen (e.g., kid's magnet or megawatt stereo speakers). * If some piece of electrical or electronic equipment with unshielded magnetic fields is in the vicinity of the TV or monitor. Degaussing should be the first thing attempted whenever color purity problems are detected. As noted below, first try the internal degauss circuits of the TV or monitor by power cycling a few times (on for a minute, off for 30 minutes, on for a minute, etc.) If this does not help or does not completely cure the problem, then you can try manually degaussing. Commercial CRT Degaussers are available from parts distributors like MCM Electronics and consist of a hundred or so turns of magnet wire in a 6-12 inch coil. They include a line cord and momentary switch. You flip on the switch, and bring the coil to within several inches of the screen face. Then you slowly draw the center of the coil toward one edge of the screen and trace the perimeter of the screen face. Then return to the original position of the coil being flat against the center of the screen. Next, slowly decrease the field to zero by backing straight up across the room as you hold the coil. When you are farther than 5 feet away you can release the line switch. The key word here is ** slow **. Go too fast and you will freeze the instantaneous intensity of the 50/60 Hz AC magnetic field variation into the ferrous components of the CRT and may make the problem worse. It looks really cool to do this while the CRT is powered. The kids will love the color effects. Bulk tape erasers, tape head degaussers, open frame transformers, and the "ass-end" of a weller soldering gun can be used as CRT demagnetizers but it just takes a little longer. (Be careful not to scratch the screen face with anything sharp.) It is imperative to have the CRT running when using these whimpier approaches, so that you can see where there are still impurities. Never release the power switch until you're 4 or 5 feet away from the screen or you'll have to start over. I've never known of anything being damaged by excess manual degaussing though I would recommend keeping really powerful bulk tape erasers turned degaussers a couple of inches from the CRT. If an AC degaussing coil or substitute is unavailable, I have even done degaussed with a permanent magnet but this is not recommended since it is more likely to make the problem worse than better. However, if the display is unusable as is, then using a small magnet can do no harm. (Don't use a 20 pound speaker or magnetron magnet as you may rip the shadow mask right out of the CRT - well at least distort it beyond repair. What I have in mind is something about as powerful as a refrigerator magnet.) Keep degaussing fields away from magnetic media. It is a good idea to avoid degaussing in a room with floppies or back-up tapes. When removing media from a room remember to check desk drawers and manuals for stray floppies, too. It is unlikely that you could actually affect magnetic media but better safe than sorry. Of the devices mentioned above, only a bulk eraser or strong permanent magnet are likely to have any effect - and then only when at extremely close range (direct contact with media container). All color CRTs include a built-in degaussing coil wrapped around the perimeter of the CRT face. These are activated each time the CRT is powered up cold by a 3 terminal thermister device or other control circuitry. This is why it is often suggested that color purity problems may go away "in a few days". It isn't a matter of time; it's the number of cold power ups that causes it. It takes about 15 minutes of the power being off for each cool down cycle. These built-in coils with thermal control are never as effective as external coils. See the document: " TV and Monitor CRT (Picture Tube) Information" for some additional discussion of degaussing tools, techniques, and cautions.
Proper care of a TV does not require much. Following the recommendations below will assure long life and minimize repairs: * Subdued lighting is preferred for best viewing conditions but I will not attempt to tell you how to arrange your room! * Locate the TV away from extremes of hot and cold. Avoid damp or dusty locations if possible. (Right you say, keep dreaming!) * Allow adequate ventilation - TVs use more power than any of your other A/V components. Heat buildup takes its toll on electronic components. Leave at least 3 inches on top and sides for air circulation if the entertainment center does not have a wide open back panel. Do not pile other components like VCRs on top of the TV if possible (see below). * Do not put anything on top of the TV that might block the ventilation grill in the rear or top of the cover. This is the major avenue for the convection needed to cool internal components. * If possible, locate the VCR away from the TV. Some VCRs are particularly sensitive to interference from the TV's circuitry and while this won't usually damage anything, it may make for less than optimal performance due to RF interference. The reverse is sometimes true as well. In addition, modern VCRs are NOT built like the Brooklyn Bridge! The weight of a TV or stereo components could affect the VCR mechanically, messing up tape path alignment or worse. * If possible, locate your computer monitor away from the TV. Interaction of the electromagnetic fields of the deflection systems may result in one or both displays jiggling, wiggling, or vibrating. * Locate loudspeakers and other sources of magnetic fields at least a couple of feet from the TV. This will minimize the possibility of color purity or geometry problems. * Make sure all input-output video and audio connections are tight and secure to minimize intermittent or noisy pictures and sound. Use proper high quality cable only long enough to make connections conveniently. * Finally, store video cassettes well away from all electronic equipment including and especially loudspeakers. Heat and magnetic fields will rapidly turn your priceless video collection into so much trash. The operation of the TV depends on magnetic fields for beam deflection. Enough said.
Preventive maintenance for a TV is pretty simple - just keep the case clean and free of obstructions. Clean the screen with a soft cloth just dampened with water and at most, mild detergent. DO NOT use anything so wet that liquid may seep inside of the set around the edge of the picture tube - you could end up with a very expensive repair bill when the liquid shorts out the main circuit board lurking just below. If the set has a protective flat glass faceplate, there is usually an easy way (on newer sets with this type of protection) of removing it to get at the inner face of the CRT. Clean both the CRT and the protective glass with a soft damp cloth and dry thoroughly. If you have not cleaned the screen for quite a while, you will be amazed at the amount of black grime that collects due to the static buildup from the high voltage CRT supply. In really dusty situations, periodically vacuuming inside the case and the use of contact cleaner for the controls might be a good idea but realistically, you will not do this so don't worry about it.
"I remember a while back (about 10 years) most home computers used to hook up to televisions. I seem to remember them having some effect on the TV though. I think they made the TV go blurry after a while. I was just wondering what these computers used to do to the televisions to mess them up like that. I thought a TV signal was a TV signal." The problem was screen burn. Since computers of that ear were mostly text and video games tended to use fixed patterns for scenery, patterns tended to be burned into the phosphor such that they were noticeably darker and less sensitive in those areas. This was exacerbated by the tendency to run them devices at very high brightness levels. Modern computers and video games should not be nearly as much of a risk since the displays are so much more varied and dynamic. Nevertheless, setting the brightness at a moderate level would be prudent.
TVs and computer or video monitors are among the more dangerous of consumer electronics equipment when it comes to servicing. (Microwave ovens are probably the most hazardous due to high voltage at high power.) There are two areas which have particularly nasty electrical dangers: the non-isolated line power supply and the CRT high voltage. Major parts of nearly all modern TVs and many computer monitors are directly connected to the AC line - there is no power transformer to provide the essential barrier for safety and to minimize the risk of equipment damage. In the majority of designs, the live parts of the TV or monitor are limited to the AC input and line filter, degauss circuit, bridge rectifier and main filter capacitor(s), low voltage (B+) regulator (if any), horizontal output transistor and primary side of the flyback (LOPT) transformer, and parts of the startup circuit and standby power supply. The flyback generates most of the other voltages used in the unit and provides an isolation barrier so that the signal circuits are not line connected and safer. Since a bridge rectifier is generally used in the power supply, both directions of the polarized plug result in dangerous conditions and an isolation transformer really should be used - to protect you, your test equipment, and the TV, from serious damage. Some TVs do not have any isolation barrier whatsoever - the entire chassis is live. These are particularly nasty. The high voltage to the CRT, while 200 times greater than the line input, is not nearly as dangerous for several reasons. First, it is present in a very limited area of the TV or monitor - from the output of the flyback to the CRT anode via the fat red wire and suction cup connector. If you don't need to remove the mainboard or replace the flyback or CRT, then leave it alone and it should not bite. Furthermore, while the shock from the HV can be quite painful due to the capacitance of the CRT envelope, it is not nearly as likely to be lethal since the current available from the line connected power supply is much greater.
These guidelines are to protect you from potentially deadly electrical shock hazards as well as the equipment from accidental damage. Note that the danger to you is not only in your body providing a conducting path, particularly through your heart. Any involuntary muscle contractions caused by a shock, while perhaps harmless in themselves, may cause collateral damage - there are many sharp edges inside this type of equipment as well as other electrically live parts you may contact accidentally. The purpose of this set of guidelines is not to frighten you but rather to make you aware of the appropriate precautions. Repair of TVs, monitors, microwave ovens, and other consumer and industrial equipment can be both rewarding and economical. Just be sure that it is also safe! * Don't work alone - in the event of an emergency another person's presence may be essential. * Always keep one hand in your pocket when anywhere around a powered line-connected or high voltage system. * Wear rubber bottom shoes or sneakers. * Don't wear any jewelry or other articles that could accidentally contact circuitry and conduct current, or get caught in moving parts. * Set up your work area away from possible grounds that you may accidentally contact. * Know your equipment: TVs and monitors may use parts of the metal chassis as ground return yet the chassis may be electrically live with respect to the earth ground of the AC line. Microwave ovens use the chassis as ground return for the high voltage. In addition, do not assume that the chassis is a suitable ground for your test equipment! * If circuit boards need to be removed from their mountings, put insulating material between the boards and anything they may short to. Hold them in place with string or electrical tape. Prop them up with insulation sticks - plastic or wood. * If you need to probe, solder, or otherwise touch circuits with power off, discharge (across) large power supply filter capacitors with a 2 W or greater resistor of 100 to 500 ohms/V approximate value (e.g., for a 200 V capacitor, use a 20K to 100K ohm resistor). Monitor while discharging and verify that there is no residual charge with a suitable voltmeter. In a TV or monitor, if you are removing the high voltage connection to the CRT (to replace the flyback transformer for example) first discharge the CRT contact (under the insulating cup at the end of the fat red wire). Use a 1M to 10M ohm 5 W or greater wattage (for its voltage holdoff capability, not power dissipation) resistor on the end of an insulating stick or the probe of a high voltage meter. Discharge to the metal frame which is connected to the outside of the CRT. * For TVs and monitors in particular, there is the additional danger of CRT implosion - take care not to bang the CRT envelope with your tools. An implosion will scatter shards of glass at high velocity in every direction. There are several tons of force attempting to crush the typical CRT. While implosion is not really likely even with modest abuse, why take chances? However, the CRT neck is relatively thin and fragile and breaking it would be very embarrassing and costly. Always wear eye protection when working around the back side of a CRT. * Connect/disconnect any test leads with the equipment unpowered and unplugged. Use clip leads or solder temporary wires to reach cramped locations or difficult to access locations. * If you must probe live, put electrical tape over all but the last 1/16" of the test probes to avoid the possibility of an accidental short which could cause damage to various components. Clip the reference end of the meter or scope to the appropriate ground return so that you need to only probe with one hand. * Perform as many tests as possible with power off and the equipment unplugged. For example, the semiconductors in the power supply section of a TV or monitor can be tested for short circuits with an ohmmeter. * Use an isolation transformer if there is any chance of contacting line connected circuits. A Variac(tm) is not an isolation transformer! The use of a GFCI (Ground Fault Circuit Interrupter) protected outlet is a good idea but will not protect you from shock from many points in a line connected TV or monitor, or the high voltage side of a microwave oven, for example. (Note however, that, a GFCI may nuisanse trip at power-on or at other random times due to leakage paths (like your scope probe ground) or the highly capacitive or inductive input characteristics of line powered equipment.) A fuse or circuit breaker is too slow and insensitive to provide any protection for you or in many cases, your equipment. However, these devices may save your scope probe ground wire should you accidentally connect it to a live chassis. * Don't attempt repair work when you are tired. Not only will you be more careless, but your primary diagnostic tool - deductive reasoning - will not be operating at full capacity. * Finally, never assume anything without checking it out for yourself! Don't take shortcuts!
Many problems have simple solutions. Don't immediately assume that your problem is some combination of esoteric complex convoluted failures. For a TV, it may just be a bad connection or blown fuse. Remember that the problems with the most catastrophic impact on operation like a dead TV usually have the simplest solutions. The kind of problems we would like to avoid at all costs are the ones that are intermittent or difficult to reproduce: the occasional interference or a TV that refuses to play 'StarTrek Voyager'. If you get stuck, sleep on it. Sometimes, just letting the problem bounce around in your head will lead to a different more successful approach or solution. Don't work when you are really tired - it is both dangerous (especially with respect to TVs) and mostly non-productive (or possibly destructive). Whenever working on precision equipment, make copious notes and diagrams. You will be eternally grateful when the time comes to reassemble the unit. Most connectors are keyed against incorrect insertion or interchange of cables, but not always. Apparently identical screws may be of differing lengths or have slightly different thread types. Little parts may fit in more than one place or orientation. Etc. Etc. Pill bottles, film canisters, and plastic ice cube trays come in handy for sorting and storing screws and other small parts after disassembly. This is particularly true if you have repairs on multiple pieces of equipment under way simultaneously. Select a work area which is wide open, well lighted, and where dropped parts can be located - not on a deep pile shag rug. The best location will also be relatively dust free and allow you to suspend your troubleshooting to eat or sleep or think without having to pile everything into a cardboard box for storage. Another consideration is ESD - Electro-Static Discharge. Some components (like ICs) in a TV are vulnerable to ESD. There is no need to go overboard but taking reasonable precautions such as getting into the habit of touching a **safe** ground point first. WARNING: even with an isolation transformer, a live chassis should **not** be considered a safe ground point. When the set is unplugged, the tuner shield or other signal ground points should be safe and effective. A basic set of precision hand tools will be all you need to disassemble a TV and perform most adjustments. These do not need to be really expensive but poor quality tools are worse than useless and can cause damage. Needed tools include a selection of Philips and straight blade screwdrivers, socket drivers, needlenose pliers, wire cutters, tweezers, and dental picks. For adjustments, a miniature (1/16" blade) screwdriver with a non-metallic tip is desirable both to prevent the presence of metal from altering the electrical properties of the circuit and to minimize the possibility of shorting something from accidental contact with the circuitry. A set of plastic alignment tools will be useful for making adjustments to coils and RF transformers. A low power (e.g., 25 W) fine tip soldering iron and fine rosin core solder will be needed if you should need to disconnect any soldered wires (on purpose or by accident) or replace soldered components. A higher power iron or small soldering gun will be needed for dealing with larger components. See the document: "Troubleshooting and Repair of Consumer Electronics Equipment" for additional info on soldering and rework techniques. For thermal or warmup problems, a can of 'cold spray' or 'circuit chiller' (they are the same) and a heat gun or blow dryer come in handy to identify components whose characteristics may be drifting with temperature. Using the extension tube of the spray can or making a cardboard nozzle for the heat gun can provide very precise control of which components you are affecting. For info on useful chemicals, adhesives, and lubricants, see "Repair Briefs, an Introduction" as well as other documents available at this site.
Don't start with the electronic test equipment, start with some analytical thinking. Your powers of observation (and a little experience) will make a good start. Your built in senses and that stuff between your ears represents the most important test equipment you have. However, some test equipment will be needed: * Multitester (DMM or VOM) - This is essential for checking of power supply voltages and voltages on the pins of ICs or other components - service literature like the Sams' Photofacts described elsewhere in this document include voltage measurements at nearly every circuit tie point for properly functioning equipment. The multitester will also be used to check components like transistors, resistors, and capacitors for correct value and for shorts or opens. You do not need a fancy instrument. A basic DMM - as long as it is reliable - will suffice for most troubleshooting. If you want one that will last for many years, go with a Fluke. However, even the mid range DMMs from Radio Shack have proven to be reliable and of acceptable accuracy. For some kinds of measurements - to deduce trends for example - an analog VOM is preferred (though some DMMs have a bar graph scale which almost as good). * Oscilloscope - While many problems can be dealt with using just a multimeter, a 'scope will be essential as you get more into advanced troubleshooting. Basic requirements are: dual trace, 10-20 MHz minimum vertical bandwidth, delayed sweep desirable but not essential. A good set of proper 10x/1x probes. Higher vertical bandwidth is desirable but most consumer electronics work can be done with a 10 MHz scope. A storage scope or digital scope might be desirable for certain tasks but is by no means essential for basic troubleshooting. I would recommend a good used Tektronix or HP scope over a new scope of almost any other brand. You will usually get more scope for your money and these things last almost forever. My 'good' scope is the militarized version (AN/USM-281A) of the HP180 lab scope. This has a dual channel 50 MHz vertical plugin and a delayed sweep horizontal plugin. I have seen these going for under $300 from surplus outfits. For a little more money, you can get a Tek 465 100 Mhz scope ($400-700) which will suffice for all but the most demanding (read: RF or high speed digital) repairs. * A video signal source - both RF and baseband (RCA jacks). Unless you are troubleshooting tuner or video/audio input problems, either one will suffice. RF sources include a pair of rabbit ears or an outdoor antenna, a cable connection, or a VCR with a working RF modulator. This will be more convenient than an antenna connection and will permit you to control the program material. In fact, making some test tapes using a camcorder or video camera to record static test patterns will allow you full control of what is being displayed and for how long. * Color bar/dot/crosshatch signal generator. This is a useful piece of equipment if you are doing a lot of TV or monitor repair and need to perform CRT convergence and chroma adjustments. However, there are alternatives that are almost as good: a VHS recording of these test patterns will work for TVs. A PC programmed to output a suitable set of test patterns will be fine for monitors (and TVs if you can set up the video card to produce an NTSC/PAL signal. This can be put through a VCR to generate the RF (Channel 3/4) input to your TV if it does not have direct video inputs (RCA jacks).
These are the little gadgets and homemade testers that are useful for many repair situations. Here are just a few of the most basic: * Series light bulb for current limiting during the testing of TVs, monitors, switching power supplies, audio power amplifiers, etc. I built a dual outlet box with the outlets wired in series so that a lamp can be plugged into one outlet and the device under test into the other. For added versatility, add a regular outlet and 'kill' switch using a quad box instead. The use of a series load will prevent your expensive replacement part like a horizontal output transistor from blowing if there is still some fault in the circuit you have failed to locate. * A Variac. It doesn't need to be large - a 2 A Variac mounted with a switch, outlet and fuse will suffice for most tasks. However, a 5 amp or larger Variac is desirable. If you will be troubleshooting 220 VAC equipment in the US, there are Variacs that will output 0-240 VAC from a 115 VAC line (just make sure you don't forget that this can easily fry your 115 VAC equipment.) By varying the line voltage, not only can you bring up a newly repaired TV gradually to make sure there are no problems but you can also evaluate behavior at low and high line voltage. This can greatly aid in troubleshooting power supply problems. Warning: a Variac is not an isolation transformer and does not help with respect to safety. You need an isolation transformer as well. * Isolation transformer. This is very important for safely working on live chassis equipment. Since all modern TVs use a line connected power supply, it is essential. You can build one from a pair of similar power transformers back-to-back (with their highest rated secondaries connected together. I built mine from a couple of similar old tube type TV power transformers mounted on a board with an outlet box including a fuse. Their high voltage windings were connected together. The unused low voltage windings can be put in series with the primary or output windings to adjust voltage. Alternatively, commercial line isolation transformers suitable for TV troubleshooting are available for less than $100 - well worth every penny. * Variable isolation transformer. You don't need to buy a fancy combination unit. A Variac can be followed by a normal isolation transformer. (The opposite order also works. There may be some subtle differences in load capacity.). * Degaussing coil. Make or buy. The internal degaussing coil salvaged from a defunct TV doubled over to half it original diameter to increase its strength in series with a 200 W light bulb for current limiting will work just fine. Or, buy one from a place like MCM Electronics - about $15 for one suitable for all but the largest TVs. Also, see the section: "Degaussing (demagnetizing) a CRT".
It is essential - for your safety and to prevent damage to the device under test as well as your test equipment - that large or high voltage capacitors be fully discharged before measurements are made, soldering is attempted, or the circuitry is touched in any way. Some of the large filter capacitors commonly found in line operated equipment store a potentially lethal charge. This doesn't mean that every one of the 250 capacitors in your TV need to be discharged every time you power off and want to make a measurement. However, the large main filter capacitors and other capacitors in the power supplies should be checked and discharged if any significant voltage is found after powering off (or before any testing - some capacitors (like the high voltage of the CRT in a TV or video monitor) will retain a dangerous or at least painful charge for days or longer!) The technique I recommend is to use a high wattage resistor of about 100 ohms/V of the working voltage of the capacitor. This will prevent the arc-welding associated with screwdriver discharge but will have a short enough time constant so that the capacitor will drop to a low voltage in at most a few seconds (dependent of course on the RC time constant and its original voltage). Then check with a voltmeter to be double sure. Better yet, monitor while discharging (not needed for the CRT - discharge is nearly instantaneous even with multi-M ohm resistor). Obviously, make sure that you are well insulated! * For the main capacitors in a switching power supply which might be 100 uF at 350 V this would mean a 5K 10W resistor. RC=.5 second. 5RC=2.5 seconds. A lower wattage resistor can be used since the total energy in not that great. The circuit described below can used to provide a visual indication of polarity and charge. * For the CRT, use a high wattage (not for power but to hold off the high voltage which could jump across a tiny 1/4 watt job) resistor of a few M ohms discharged to the chassis ground connected to the outside of the CRT - NOT SIGNAL GROUND ON THE MAIN BOARD as you may damage sensitive circuitry. The time constant is very short - a ms or so. However, repeat a few times to be sure. (Using a shorting clip lead may not be a bad idea as well while working on the equipment - there have been too many stories of painful experiences from charge developing for whatever reasons ready to bite when the HV lead is reconnected.) Note that if you are touching the little board on the neck of the CRT, you may want to discharge the HV even if you are not disconnecting the fat red wire - the focus and screen (G2) voltages on that board are derived from the CRT HV. WARNING: Most common resistors - even 5 W jobs - are rated for only a few hundred volts and are not suitable for the 25KV or more found in modern TVs and monitors. Alternatives to a long string of regular resistors are a high voltage probe or a known good focus/screen divider network. However, note that the discharge time constant with these may be a few seconds. Also see the section: "Additional information on discharging CRTs". If you are not going to be removing the CRT anode connection, replacing the flyback, or going near the components on the little board on the neck of the CRT, I would just stay away from the fat red wire and what it is connected to including the focus and screen wires. Repeatedly shoving a screwdriver under the anode cap risks scratching the CRT envelope which is something you really do not want to do. Again, always double check with a reliable voltmeter! Reasons to use a resistor and not a screwdriver to discharge capacitors: 1. It will not destroy screwdrivers and capacitor terminals. 2. It will not damage the capacitor (due to the current pulse). 3. It will reduce your spouse's stress level in not having to hear those scary snaps and crackles.
You may hear that it is only safe to discharge from the Ultor to the Dag. So, what the @#$% are they talking about? :-). (From: Asimov (mike.ross@juxta.mnet.pubnix.ten)). 'Dag' is short for Aquadag. It is a type of paint made of a graphite pigment which is conductive. It is painted onto the inside and outside of picture tubes to form the 2 plates of a high voltage filter capacitor using the glass in between as dielectric. This capacitor is between .005uF and .01uF in value. This seems like very little capacity but it can store a substantial charge with 25,000 volts applied. The outside "dag" is always connected to the circuit chassis ground via a series of springs, clips, and wires around the picture tube. The high voltage or "Ultor" terminal must be discharged to chassis ground before working on the circuit especially with older TV's which didn't use a voltage divider to derive the focus potential or newer TV's with a defective open divider. For more details, see the document: "TV and Monitor CRT (Picture Tube) Information.
TVs are particularly dangerous with respect to troubleshooting due to the fact
that a substantial portion of their circuitry - sometimes all of it - is
directly line connected. Even if your are working in a totally unrelated
area like the sound circuits, awareness of the general design and location
of the line-connected circuits can prove to be a life saver.
These designs may take several forms:
1. Separate switchmode power supply (SMPS). In this case, only the primary
side of the power supply is line connected. The remainder of the TV is
usually isolated from the line by the high frequency transformer and
feedback device (transformer or optoisolator) of the switchmode power
supply.
2. On-board SMPS - a portion of the circuitry on the mainboard is directly
line-connected. In the best case, this is restricted to the area around
the power cord connections and well marked on both top and bottom but don't
count on it. Again, the rest of the TV may be isolated but avoiding
hazardous areas is more difficult especially in cramped quarters.
3. Flyback derived power supply - a non-isolated linear (usually) power supply
provides B+ to the horizontal deflection (and startup circuit). All other
system power is derived from secondary windings on the flyback transformer.
Similar comments to (2) above apply.
(1) to (3) may be found in TVs with A/V inputs and outputs.
4. Full hot chassis - a bridge rectifier/filter capacitor/linear regulator
provides some voltages including B+. The flyback secondaries provide the
remaining voltages. All share a common return which is at the intersection
of two of the diodes of the bridge rectifier. There is no isolation.
This type of design will never be found in a TV where there are external
connections (other than the RF antenna/cable connector which can be
capacitively isolated). (However, you may actually get an AC reading
or even sparks between the RF shield and an earth ground due to this
capacitance.)
WARNING: Never attempt to add A/V inputs or outputs to such a TV as the
signals and shields will be electrically live.
Always use an isolation transformer, whatever kind of design is used in the
equipment you are troubleshooting. There are very few situations in which
an isolation transformer will hurt. If you use it automatically, you will
never have a chance to screw up.
Identify the appropriate ground point (return) for your multimeter or scope.
These should be marked in the Sams' Photofact or service manual. There may
be several such returns such as: non-isolated, signal, and CRT. Selecting
the wrong one - even momentarily connecting to it - can ruin your whole day.
If you are not using an isolation transformer (a no-no), connecting your
scope to the wrong ground point can result in (1) blown fuses and/or blown
parts, and a very dangerous situation and (2) readings that don't make sense
generally with distorted power line frequency signals of high amplitude.
* Use the non-isolated ground (A) (with your isolation transformer on the TV
*only* for measurements of voltage on the line-connected power supply.
* Use the signal ground (B) for all measurements of tuner, IF, video, and
sound circuits.
Whenever you get a reading or waveform that is grossly wrong, confirm that
you are using the proper ground point! Note that failures of fusable
resistors in the *return* of the HOT or power supply chopper or elsewhere
can also result in points that should be near ground floating at unexpected
voltage levels.
The general arrangement of components for a typical TV using a linear B+
supply with isolated auxiliary supplies for the signal circuits is shown
below including the (linear) line-connected power supply, horizontal
deflection output (drive, horizontal output transistor, flyback), and
a typical Aux power supply output.
Line fuse Main bridge Part of flyback
_ rectifier +----------+ B+ transformer
H o--_ --+------|>|---+---| |-----------------+ |:| Aux 1
| | | Filter, | )|:| +--|>|--+--o
| +---|>|---+ | REG, etc.| )|:|( _|_
115 VAC | | | | )|:|( ---
+--|---|<|---+ +----------+ +---+ |:|( |
| | | H-drive | |:| +-------+ B
+-> N o---------+---|<|---+---------+ transformer |/ C __|__
| A _|_ || +----| Horizontal -_-
+-> G - Power line earth ground /// ||( |\ E Output Signal
via building wiring ^ ||( | Transistor ground
| || +------+ (HOT)
' A _|_
Non-isolated return --> ///
(connected points)
For this power supply, what if?:
1. You connect your scope ground clip to the non-isolated ground (A) and you
are *not* using an isolation transformer?
Answer: you blow the line fuse and/or melt your scope probe ground lead.
Other parts may be damaged as well. In effect, you have just shorted
across the bottom diode of the bridge.
2. You attempt to monitor a video signal with your scope ground connected
to the non-isolated ground (A)?
Answer: you see only a highly distorted power line waveform of roughly
100 V p-p In effect, you are measuring across one of the diodes of the
bridge rectifier, stray capacitance, etc.
When powering up a TV (or any other modern electronic devices with expensive power semiconductors) that has had work done on any power circuits, it is desirable to minimize the chance of blowing your newly installed parts should there still be a fault. There are two ways of doing this: use of a Variac to bring up the AC line voltage gradually and the use of a series load to limit current to power semiconductors. Actually using a series load - a light bulb is just a readily available cheap load - is better than a Variac (well both might be better still) since it will limit current to (hopefully) non-destructive levels. What you want to do is limit current to the critical parts - usually the horizontal output transistor (HOT). Most of the time you will get away with putting it in series with the AC line. However, sometimes, putting a light bulb directly in the B+ circuit will provide better protection as it will limit the current out of the main filter capacitors to the HOT. Actually, an actual power resistor is probably better as its resistance is constant as opposed to a light bulb which will vary by 1:10 from cold to hot. The light bulb, however, provides a nice visual indication of the current drawn by the circuit under test. For example: * Full brightness: short circuit or extremely heavy load - a fault probably is still present. * Initially bright but then settles at reduced brightness: filter capacitors charge, then lower current to rest of circuit. This is what is expected when the equipment is operating normally. There could still be a problem with the power circuits but it will probably not result in an immediate catastrophic failure. * Pulsating: power supply is trying to come up but shutting down due to overcurrent or overvoltage condition. This could be due to a continuing fault or the light bulb may be too small for the equipment. Note: for a TV or monitor, it may be necessary (and desirable) to unplug the degauss coil as this represents a heavy initial load which may prevent the unit from starting up with the light bulb in the circuit. The following are suggested starting wattages: * 40 W bulb for VCR or laptop computer switching power supplies. * 100 W bulb for small (i.e., B/W or 13 inch color) TVs. * 150-200 W bulb for large color or projection TVs. A 50/100/150 W (or similar) 3-way bulb in an appropriate socket comes in handy for this but mark the switch so that you know which setting is which! Depending on the power rating of the equipment, these wattages may need to be increased. However, start low. If the bulb lights at full brightness, you know there is still a major fault. If it flickers or the TV (or other device) does not quite come fully up, then it should be safe to go to a larger bulb. Resist the temptation to immediately remove the bulb at this point - I have been screwed by doing this. Try a larger one first. The behavior should improve. If it does not, there is still a fault present. Note that some TVs and monitors simply will not power up at all with any kind of series load - at least not with one small enough (in terms of wattage) to provide any real protection. The microcontroller apparently senses the drop in voltage and shuts the unit down or continuously cycles power. Fortunately, these seem to be the exceptions.
You will void the warranty - at least in principle. There are usually no warranty seals on a TV so unless you cause visible damage or mangle the screws, it is unlikely that this would be detected. You need to decide. A TV still under warranty should probably be returned for warranty service for any covered problems except those with the most obvious and easy solutions. Another advantage of using warranty service is that should your problem actually be covered by a design change, this will be performed free of charge. And, you cannot generally fix a problem which is due to poor design! Getting into a TV is usually quite simple requiring the removal of anywhere from 4 to 16 Philips or 1/4" hex head screws - most around the rear edge of the cabinet or underneath, a couple perhaps in the middle. Disconnect the antenna and/or antenna or cable wiring first as it may stay with catch on the rear cover you are detaching. Reconnect whatever is needed for testing after the cover is removed. As you pull the cover straight back (usually) and off, make sure that no other wires are still attached. Often, the main circuit board rests on the bottom of the cover in some slots. Go slow as this circuit board may try to come along with the back. Once the back is off, you may need to prop the circuit board up with a block of wood to prevent stress damage and contact with the work surface. Most TVs can still be positioned stably on any of three sides (left, right, bottom) even without the rear cover. However, some require the cover for mechanical strength or to not easily fall over. Be careful- larger TVs, in particular, are quite heavy and bulky. Get someone to help and take precautions if yours is one of the unstable variety. If need be, the set can usually safely be positioned on the CRT face if it is supported by foam or a folded blanket. Reassemble in reverse order. Getting the circuit board to slide smoothly into its slots may take a couple of attempts but otherwise there should be no surprises.
Both electrical and mechanical dangers lurk: * Main filter capacitor(s). This is the most dangerous (not the HV as you would expect). Fortunately, these capacitors will normally discharge in a few minutes or less especially if the unit is basically working as the load will normally discharge the capacitors nearly fully as power is turned off. With TVs, the main filter capacitor is nearly always on the mainboard. Monitors are more likely to have a separate power supply module. However, you should check across this capacitor - usually only one and by far the largest in the set - with a voltmeter and discharge as suggested in the section: "Safe discharging of capacitors in TVs and video monitors" if it holds more than a few volts (or wait longer) before touching anything. Some of these are as large as 1,000 uF charged to 160 V - about 13 w-s or a similar amount of energy as that stored in an electronic flash. This is enough to be potentially lethal under the wrong circumstances. * High Voltage capacitor formed by the envelope of the CRT. It is connected to the flyback transformer by the fat (usually red) wire at the suction cup (well, it looks like one anyhow) attached to the CRT. This capacitor can hold a charge for quite a while - weeks in the case of an old tube type TV! If you want to be doubly sure, discharge this also. However, unless you are going to be removing the HV connector/flyback, it should not bother you. The energy stored is about 1 w-s but if you touch it or come near to an exposed terminal, due to the high voltage, you will likely be handed *all* the energy and you *will* feel it. The danger is probably more in the collateral damage when you jump ripping flesh and smashing your head against the ceiling. Some people calibrate their jump based on voltage - about 1 inch/V. :-). There will be some HV on the back of the circuit board on the neck of the CRT but although you might receive a tingle but accidentally touching the focus or screen (G2) pins, it is not likely to be dangerous. * CRT implosion risk. Don't hammer on it. However, it is more likely that you will break the neck off the tube since the neck is relatively weak. This will ruin your whole day and the TV or monitor but will likely not result in flying glass everywhere. Just, don't go out of your way to find out. * Sharp sheet metal and so forth. This is not in itself dangerous but a reflex reaction can send your flesh into it with nasty consequences.
The first thing you will notice when you remove the cover is how super dusty everything is. Complements to the maid. You never dreamed there was that much dust, dirt, and grime, in the entire house! Use a soft brush (like a new paintbrush) and a vacuum cleaner to carefully remove the built up dust. Blowing off the dust will likely not hurt the TV unless it gets redeposited inside various controls or switches but will be bad for your lungs - and will spread it all over the room. Don't turn anything - many critical adjustments masquerade as screws that just beg to be tightened. Resist the impulse for being neat and tidy until you know exactly what you are doing. Be especially careful around the components on the neck of the CRT - picture tube - as some of these are easily shifted in position and control the most dreaded of adjustments - for color purity and convergence. In particular, there will be a series of adjustable ring magnets. It is a good idea to mark their position in any case with some white paint, 'white out', or a Magic Marker so that if they do get moved - or you move them deliberately, you will know where you started.
There are times when it is desirable to remove the chassis or mainboard and work on it in a convenient location without having to worry about the equipment which will simulate the critical functions but this is rarely an option for the doit-yourselfer. My approach is usually to do as much work as possible without removing the main board and not attempt to power it up when disconnected since there are too many unknowns. Professionals will plug the chassis into a piece of equipment which will simulate the critical functions. Note that if you have a failure of the power supply - blown fuse, startup, etc., then it should be fine to disconnect the CRT since these problems are usually totally unrelated. Tests should be valid. However, if you really want to do live testing with the main board removed, here are some considerations. There are usually several connections to the CRT and cabinet: * Deflection yoke - since the horizontal coils are part of the horizontal flyback circuit, there could be problems running without a yoke. This could be anything from it appearing totally dead to an overheating or blown horizontal output transistor. There may be no problems. Vertical and any convergence coils may or may not be problems as well. * CRT video Driver board - pulling this should not usually affect anything except possibly video output and bias voltages. * CRT 2nd anode - without the CRT, there will be no capacitor to filter the high voltage and you would certaily want to insulate the HV connector **real** well. I do not know whether there are cases where damage to flyback could result from running in thie manner, however. * Front panel controls - disconnecting these may result in inability to even turn the set on, erratic operation, and other unexpected behavior. * Degauss - you just won't have this function when disconnected. But who cares - you are not going to be looking at the screen anyhow. * Remote sensor - no remote control but I doubt that the floating signals will cause problems. * Speakers - there will be no audio but this should not cause damage. If you do disconnect everything, make sure to label any connectors whose location or orientation may be ambiguous. Most of the time, these will only fit one way but not always.
For general viewing, subdued lighting but not total darkness is probably best. However, for most dramatic impact, a darkened environment may be preferred. Make the following adjustments under the expected viewing conditions. Tune to a strong channel or play a good quality tape. Turn the brightness, contrast, and color controls all the way down. Center the tint control (NTSC, may not be present on PAL sets). Increase the brightness until a raster is just visible in the darkest (shadow) areas of the picture. Increase the contrast until the desired intensity of highlights is obtained. Since brightness and contrast are not always independent, go back and forth until you get the best picture. Initially adjust the color control for pastel shades rather than highly saturated color. Set the tint control for best flesh tones. Then, increase the color control to obtain the desired degree of color saturation.
All of the service adjustments are accomplished either using controls inside the set (mostly pots on the mainboard and CRT neck boards), or in most newer TVs, mostly via a service menu accessed from the remote or by using a manufacturer specific computer interface. * A Web site with some information on the general objectives of video and color setup procedures for both direct view and projection TVs is: - http://www.Tru-line.com/ (Tru-line Video Technologies) * Where actual pots are present, they may be labeled on the circuit boards or identified by a sticker on the TV's cover. Otherwise, the service manual or Sams' for the set will be required unless their function of the relevant pot is obvious. * For service menus accessed via the remote control, service information is almost a necessity since adjustment procedures vary widely and it is all too easy to totally mess things up - even to the point of inflicting serious and expensive damage to the set. For information on accessing the service menus if used on your model, see the section: "Setup adjustments lost - TV service codes". However, even if the access procedure is known, get the service manual or Sams'! * If a computer interface is required, you can most probably forget about attempting to adjust anything unless you find a friendly shop to provide the adapter and walk you through the procedure. Why would they want to do this? Because they know you there is a good chance that you will have to pay them to unscramble the mess you created!
On a decent TV, you should be able to make out the individual scanning lines. If they are fuzzy, especially in bright areas, then focus may need to be adjusted. The focus pot is usually located on the flyback transformer or on an auxiliary panel nearby. Where there are two adjustment knobs on the flyback transformer, the top one is generally for focus and the bottom one is for G2. The focus wire usually comes from the flyback or the general area or from a terminal on a voltage the multiplier module (if used). It is usually a wire by itself going to the little board on the neck of the CRT. Let the set warm up for at least half an hour. Display a good quality signal. Turn the user color control all the way down and the brightness and contrast controls all the way up. This will be the worst case. Adjust the focus control for best overall sharpness - you may not be able to get it perfect everywhere - center as well as corners. If best focus is at one end of the focus pot's range and still not good enough, there may be a problem in the focus divider, focus pot, or some related component.
The screen should be adjusted with a white pattern (snow from the tuner should do or turn the user COLOR control all the way down to get a black and white picture). Put the set in Service mode (horizontal line) if it has such a switch in the back or inside. If not, just use the raster in a darkened room. Adjust screen for a dim white line (raster). If the line is not white at its dimmest point, you will need to adjust the drive and cutoff controls for R, G, & B. Alternatively, you can use the following procedure: Turn R, G, and B screen (or background) controls down. Now turn color control fully counterclockwise -- off. Now turn up red screen until the screen just shows a red hue. Now turn red gun down until red tint just goes away. Now do the same with the green and blue screen controls. Now adjust the two DRIVE controls for the best black and white picture. That`s all there is to it. I don`t like to work with just a thin "SETUP" line. Cartoons seem to be the best thing to have on while doing the above procedure. You can also use just plain snow (no program) if you prefer. If you can obtain a good b@w pic. when you`re done, the tube is good and the set if most likely functioning properly. Be patient and go slow while watching the large mirror that you are using during this procedure. (LEE)
For slight tweaks, the following is not necessary. However, if someone turned all the internal controls or if you are making significant changes that affect G2 (screen), then following the procedure below is desirable to achieve best performance and maximize life of the CRT. The typical user controls - brightness and contrast can, of course, be set arbitrarily, depending on video content and ambient lighting conditions. Set the user brightness and contrast controls in the middle for the following adjustments and let the set warm up for 20 minutes or so. (From: Jeroen H. Stessen (Jeroen.Stessen@ehv.ce.philips.com)). Now the screen control, that's another matter. It sets the voltage on the second grid of the electron guns, typically between +500 and +1000 V. You will want to use a well-isolated screwdriver for that if it is a naked potentiometer. In the old days there used to be 3 separate potentiometers for 3 G2s, now there is generally only one. Its purpose is to set the cutoff voltage for the guns, i.e. the voltage between K and G1 at which the beam is just off. The higher you set the VG2, the higher VK - VG1 must be to cut off the beam. If you set VG2 too low then your picture will be dark. You can compensate for that with the brightness control, which in effect will lower the VKs. A disadvantage is that you will not get optimum sharpness and peak brightness from your picture tube. If you set VG2 too high then your picture will be bright. You can compensate for that with the brightness control, which in effect will raise the VKs. You might even get retrace lines which can usually not be made to disappear with the brightness control. Another disadvantage is that you will not get optimum LIFETIME from your picture tube. With a too high cutoff voltage the cathode (electron emitting surface) will wear out too soon. You will need to see the picture tube specifications (or possibly the Sams' Photofact or service manual for the set --- sam) in order to find the correct setting for the cutoff voltage. This is measured as VK - VG1 (for each channel RGB) and is typically 130-160 V max. There will be spread between the 3 channels, typically the highest of the 3 measured values will be set against the upper limit. The usual adjustment procedure is as follows: * Use any low-level adjustments to set a black picture with all 3 cathode voltages at the specified level (e.g. 130 V) above the VG1 voltage (may be 0 V or 12 V or 20 V ?). (These are typically called RGB brightness, bias, or background level and are often on the little board on the neck of the CRT but not always --- sam). * Adjust VG2 (screen) until one colour just starts too light up, turn it back down until the screen is just black again. * Now adjust 2 of the 3 low-level black controls until the other 2 colours just light up, and then back to black again. * Select a white picture and use 2 low-level white (RGB drive or gain, also generally on the neck board --- sam) controls to set the proper colour temperature for white to your own taste. * Check your black calibration again, may have to iterate a bit.
Color balance needs adjustment if the highlights and/or shadows of a black and white picture (turn the color control all the way down) are not a perfectly neutral gray. Note: Some TV designs (Zenith uses this in a few models) automatically balance CRT cathode drive by sensing emission from the red, green, and blue guns using a gray scale reference pulse outside the viewable picture. If this is the case with your set, there may be no user OR service adjustments :-(. A color balance problem in this case means either a failure of this circuitry or a CRT where the emission from the 3 cathodes is so unbalanced (usually due to one being much much weaker than the others) that compensation is not possible. To adjust the color balance: Turn the color control all the way down so that you get what should be a B/W picture. Set the user brightness and contrast controls about mid-range. The tint control should not matter (if it does at this point, you have other chroma problems or an 'autocolor' switch is on limiting the range of some controls). Adjust the sub-brightness controls (may be called color screen, background, or the like) so that the dark areas of the picture are just visible and neutral gray. Then, adjust the color gain controls until the brightest areas are neutral white but not so bright that there is 'color bleeding' in the highlights. This should get you close. If something is still shifting after warmup and get some cold-spray or even a little blower and try to locate the component that is drifting. Most likely a transistor or capacitor.
Horizontal position may be set via a switch or jumper, a pot, or (mostly in B/W TVs) a set of rings on the CRT neck. Horizontal size should be set so that there is about 10-15 percent overscan left and right. This will allow ample margin for power line voltage fluctuations, component aging, and the reduction in raster size that may occur with some VCR special effects (fast play) modes. Many sets no longer have any horizontal size adjustments and depend on accurate regulation of the voltage to the horizontal output stage to control horizontal size. There may be a B+ adjustment to perform first. On those that do, the adjustment may either be done by setting the B+ voltage, by a pot, or a width coil in series with the horizontal deflection coils. Modern sets do not generally have any linearity control but you may find this on older models. You will need to go back and forth between size and linearity as these adjustments are usually not independent. Some of the newest sets control all these parameters via settings in non-volatile memory and use service menus accessed via the remote control for nearly all setup adjustments.
Vertical position may be set via a switch or jumper, a pot, or (mostly in B/W TVs) a set of rings on the CRT neck. Vertical size should be set so that there is about 10-15 percent overscan top and bottom. This will allow ample margin for power line voltage fluctuations, component aging, and the reduction in raster size that may occur with some VCR special effects (fast play) modes. Some sets no longer have any vertical size adjustments and depend on the accurate regulation of the voltage to the vertical output stage to control vertical size. On those that do, the adjustment is usually a pot in the vertical output circuitry. If your set has a linearity control, you will need to adjust this in conjunction with the size control as these are usually not independent. Some of the newest sets control all these parameters via settings in non-volatile memory and use service menus accessed via the remote control for nearly all setup.
There may be two controls - amplitude and phase. Pincushion amplitude as its name implies, controls the size of the correction. Pincushion phase affects where on the sides it is applied. Don't expect perfection. If the controls have no effect, there is probably a fault in the pincushion correction circuitry. It is best to make these adjustments with a crosshatch or dot test pattern
This refers to imperfections in the shape of the picture not handled by the pincushion and size adjustments. These types of defects include trapezoidal or keystone shaped raster and jogs or wiggles around the periphery of the raster. Unfortunately, one way these are handled at the factory is to glue little magnets to strategic locations on the CRT and/or rotate little magnets mounted on the yoke frame. Unless you really cannot live with the way it is (assuming there isn't something actually broken), leave these alone! You can end up with worse problems. In any case, carefully mark the position AND orientation of every magnet so that if this happens, you can get back to where you started. If the magnets are on little swivels, some experimenting with them one at a time may result in some improvement. Of course, it is best to obtain a service manual and follow its instructions.
Very simple - nothing is quite perfect. Perfect convergence is not even necessarily possible in theory with the set of adjustments available on a typical TV. It is all a matter of compromises. Consider what you are trying to do: get three electron beams which originate from different electron guns to meet at a single point within a fraction of a mm everywhere on the screen. This while the beams are scanning at an effective writing rate of 20,000 mph across the face of a 27" CRT in a variable magnetic environment manufactured at a price you can afford without a second mortgage!
Purity assures that each of the beams for the 3 primary colors - red, green, and blue - strikes only the proper phosphor dots for that color. A totally red scene will appear pure red and so forth. Symptoms of poor purity are blotches of discoloration on the screen. Objects will change shades of color when the move from one part of the screen to another. Convergence refers to the control of the instantaneous positions of the red, green, and blue spots as they scan across the face of the CRT so that they are as nearly coincident as possible. Symptoms of poor convergence are colored borders on solid objects or visible separate R, G, and B images of fine lines or images, Note: It is probably best to face the set East-West (front-to-back) when performing any purity and convergence adjustments. Since you probably do not know what orientation will eventually be used, this is the best compromise as the earth's magnetic field will be aligned mostly across the CRT. This will minimize the possible rotation of the picture when the unit is moved to its final position but there may be a position shift. Neither of these is that significant so it probably doesn't really matter that much unless you are super fussy. Of course, if you know the final orientation of the TV in your entertainment center - and you don't expect to be redecorating, use that instead. Or, plan to do the final tilt and position adjustments after the set is in position - but this will probably require access to the inside! First, make sure no sources of strong magnetic fields are in the vicinity of the TV - loudspeakers, refrigerator magnets, MRI scanners, etc. A nearby lightning strike or EMP from a nuclear explosion can also affect purity. Cycle power a couple of times to degauss the CRT (1 minute on, 20 minutes off) - see the section: "Degaussing (demagnetizing) a CRT". If the built in degaussing circuits have no effect, use an external manual degaussing coil. Assuming this doesn't help, you will need to set the internal purity and/or convergence adjustments on the CRT. Modern CRTs usually use a combination of a series of magnetized moveable rings on the neck, and yoke position and orientation to set purity and convergence. First, mark the positions of all adjustments - use white paint, 'White out', or a Magic Marker on the ring magnets on the neck of the CRT, the position and tilt of the deflection yoke, and any other controls that you may touch deliberately or by accident. However, if your set is still of the type with a drawer or panel of knobs for these adjustments, don't even think about doing anything without a service manual and follow it to the letter unless the functions of all the knobs is clearly marked (some manufacturers actually do a pretty good job of this). Note: some CRTs do not have any adjustable rings for purity (and static convergence). Either an internal structure in the neck of the CRT or an external 'permalloy' sleeve is permanently magnetized at the factory and there is not way of tweaking it in the field. However, it may be possible to use a normal set of magnet rings in addition to or in place of it to correct for purity or convergence problems due to loss of magnetism due to age or someone waving a 10 pound magnet near the CRT neck!
Purity on modern CRTs is usually set by a combination of a set of ring magnets just behind the deflection yoke on the neck of the CRT and the position of the yoke fore-aft. As always, mark the starting position of all the rings and make sure you are adjusting the correct set if rings! Use the following purity adjustment procedure as a general guide only. Depending on the particular model TV, the following purity adjustment procedure may substitute green for red depending on the arrangement of the guns in the CRT. This description is based on the Sams' Photofact for the RCA CTC111C chassis which uses a slot-mask CRT. The procedures for dot-mask and Trinitron (aperture grille) CRTs will vary slightly. See you service manual! Obtain a white raster (sometimes there is a test point that can be grounded to force this). Then, turn down the bias controls for blue and green so that you have a pure red raster. Let the set warm up for a minimum of 15 minutes. Loosen the deflection yoke clamp and move the yoke as far back as it will go, Adjust the purity magnets to center the red vertical raster on the screen. Move the yoke forward until you have the best overall red purity. Now, move the yoke forward until you have the best overall red purity. Tighten the clamp securely and reinstall the rubber wedges (if you set has these) to stabilize the yoke position. Reset the video adjustments you touched to get a red raster.
In the good old days when TVs were TVs (and not just a picture tube with a little circuit board attached) there were literally drawers full of knobs for setting convergence. One could spend hours and still end up with a less than satisfactory picture. As the technology progressed, the number of electronic adjustments went down drastically so that today there are very few if any. Unless you want a lot of frustration, I would recommend not messing with convergence. You could end up a lot worse. I have no idea what is used for convergence on your set but convergence adjustments are never quite independent of one another. You could find an adjustment that fixes the problem you think you have only to discover some other area of the screen is totally screwed. In addition, there are adjustments for geometry and purity and maybe others that you may accidentally move without even knowing it until you have buttoned up the set. Warning: Accurately mark the original positions - sometimes you will change something that will not have an obvious effect but will be noticeable later on. So it is extremely important to be able to get back to where you started. If only red/green vertical lines are offset, then it is likely that only a single ring needs to be moved - and by just a hair. But, you may accidentally move something else! If you really cannot live with it, make sure you mark everything very carefully so you can get back to your current state. A service manual is essential! Convergence is set using a white crosshatch or dot test pattern. If you do not have a test pattern generator, any static scene (from a camcorder or previously recorded tape, for example) with a lot of fine detail will suffice. Turn the color control all the way down so you have a B/W picture. Static convergence sets the beams to be coincident in the exact center of the screen. This is done using a set of ring magnets behind the purity magnets on the CRT neck. From the Sams' for the RCA CTC111C: "adjust the center set of magnets to converge blue to green at the center of the screen. Adjust the rear set of magnets to converge red to green at the center of the screen." Your set may have a slightly different procedure. Dynamic convergence adjusts for coincidence at the edges and corners. On old tube, hybrid, and early solid state TVs, dynamic convergence was accomplished with electronic adjustments of which there may have been a dozen or more that were not independent. With modern sets, all convergence is done with magnet rings on the neck of the CRT, magnets glued to the CRT, and by tilting the deflection yoke. The clamp in conjunction with rubber wedges or set screws assures that the yoke remains in position. From the Sams' for the RCA CTC111C: "Loosen the screws at the 6 o'clock and 10 o'clock positions to permit the yoke to be tilted vertically. Rock yoke up and down to converge the right and left sides of the screen. Tighten screw at 6 o'clock and loosen screw at 3 o'clock to permit the yoke to be tilted horizontally. Rock yoke from side to side to converge the top and bottom of the screen. Tighten screws at 3 o'clock and 10 o'clock." Many sets simply use the main clamp which locks the yoke to the neck of the CRT in conjunction with rubber wedges between the yoke and the funnel of the CRT to stabilize the yoke position position. Refer to your service manual. (Is this beginning to sound repetitious?) For additional comments on convergence adjustments, see the sections: "Tony's notes on setting convergence on delta gun CRTs" and "Saga and general setup for large CRT TVs".
You have just noticed that the picture on your fancy (or cheap) TV is not quite horizontal - not aligned with the front bezel. Note that often there is some keystoning as well where the top and bottom or left and right edges of the picture are not quite parallel - which you may never have noticed until now. Since this may not be correctable, adjusting tilt may represent a compromise at best between top/bottom or left/right alignment of the picture edges. You may never sleep again knowing that your TV picture is not perfect! BTW, I can sympathize with your unhappiness. Nothing is more annoying than a just noticeable imperfection such as this. However, since TVs always overscan, the only time you will really notice a minor tilt without going out of your way to look for it is if there is text or graphics near the edge of the screen. There are several possible causes for a tilted picture: 1. Set orientation. The horizontal component of the earth's magnetic field affects this slgithly. Therefore, if you rotate the TV you may be able to correct the tilt. Of course, it will probably want to face the wall! Other external magnetic fields can sometimes cause a rotation without any other obvious effects - have you changed the TV's location? Did an MRI scanner move in next door? 2. Need for degaussing. Most of the time, magnetization of the CRT will result in color problems which will be far more obvious than a slight rotation. However, internal or external shields or other metal parts in the set could become magnetized resulting a tilt. More extensive treatment than provided by the built-in degaussing coil may be needed. Even, the normal manual degaussing procedure may not be enough to get close enough to all the affected parts. 3. You just became aware of it but nothing has changed. Don't dismiss this offhand. It is amazing how much we ignore unless it is brought to our attention. Are you a perfectionist? 4. There is an external tilt control which may be misadjusted. Newer Sony monitors have this (don't know about TVs) - a most wonderful addition. Too bad about the stabilizing wires on Trinitron CRTs. A digital control may have lost its memory accidentally. The circuitry could have a problem. 5. There is an internal tilt control that is misadjusted or not functioning. The existance of such a control is becoming more common. 6. The deflection yoke on the CRT has gotten rotated or was not oriented correctly at the time of the set's manufacture. Sometimes, the entire yoke is glued in place in addition to being clamped adding another complication. If the TV was recently bumped or handled roughly, the yoke may have been knocked out of position. But in most cases, the amount of abuse required to do this with the yoke firmly clamped and/or glued would have totally destroyed the set in the process. There is a risk (in addition to the risk of frying yourself on the various voltages present inside as operating TV) of messing up the convergence or purity when fiddling with the yoke or anything around it since the yoke position on the neck of the tube and its tilt may affect purity and convergence. Tape any rubber wedges under the yoke securely in place as these will maintain the proper position and tilt of the yoke while you are messing with it. (Don't assume the existing tape will hold - the adhesive is probably dry and brittle). 7. The CRT may have rotated slightly with respect to the front bezel. Irrespective of the cause of the tilt, sometimes it is possible to loosen the 4 (typical) CRT mounting screws and correct the tilt by slightly rotating the CRT. This may be easier than rotating the yoke. Just make sure to take proper safety precautions when reaching inside!
These tend to be a lot simpler and less critical than for color monitors or TV sets. On a B/W TV you will probably see some of the following adjustments: 1. Position - a pair of rings with tabs on the neck of the CRT. There may be electronic position adjustements as well though this is not that common on small TVs. 2. Width and height (possibly linearity as well) controls. There may be some interaction between size and linearity - a crosshatch test pattern is best for this. Vertical adjustments are almost always pots while horizontal (if they exist) may be pots and/or coils. Size will normally be set for 5-10% overscan to account for line voltage fluctuations and component drift. Confirm aspect ratio with test pattern which includes square boxes. 3. Geometry - some little magnets either on swivels around the yoke or glued to the CRT. If these shifted, the the edges may have gotten messed up - wiggles, dips, concave or convex shapes. There may be a doxen or more each mostly affecting a region around the edge of the raster. However, they will not be totally independent. Check at extremes of brightness/contrast as there may be some slight changes in size and position due to imperfect HV regulation. There may be others as well but without a service manual, there is no way of knowing for sure. Sams' often has folders for B/W TVs. Just mark everything carefully before changing - then you will be able to get back where you started.
TVs require a variety of voltages (at various power levels) to function. The function of the low voltage power supply is to take the AC line input of either 115 VAC 60 Hz (220 VAC 50 Hz or other AC power in Europe and elsewhere) and produce some of these DC voltages. In all cases, the power to the horizontal output transistor of the horizontal deflection system is obtained directly from the low voltage power supply. In some cases, a variety of other DC voltages are derived directly from the AC line by rectification, filtering, and regulation. In other designs, however, most of the low voltages are derived from secondary windings on the flyback (LOPT) transformer of the horizontal deflection system. In still other designs, there is a separate switchmode power supply that provides some or all of these voltages. There are also various (and sometimes convoluted) combinations of any or all of the above. There will always be: 1. A power sw